Friday, 8 May 2015
Wednesday, 6 May 2015
Whites blew off the Africoid nose of
the Sphinx! and destroyed much
ancient Africoid art and archives
Carved from solid rock, the Sphinx portrays an Afrikan Pharaoh. The nose is missing because Europeans (Napoleon's soldiers), in an effort to obscure powerful, blatant, undeniable evidence of Black Afrikan achievement, blew off the broad Africoid nose and part of the generous lips with cannon fire! The Los Angeles Times (June 4, 1990) actually reported that "When Napoleon visited the Sphinx in 1798, everything but the head was buried in sand...his soldiers reputedly used the Sphinx for target practice." While the Sphinx had already suffered nose damage prior to Napoleon, the greatest destruction took place during Napoleon's occupation of Egypt, as documented by Tony Browder, and testified by the collection of Sphinx portraits he has assembled on page 225 of his book Nile Valley Contributions to Civilization. These six portraits, drawn over a period of 100 years from 1698 to 1798, are the only current evidence available which shows the progression of the nose destruction. Besides the Sphinx, a large percentage of Africoid Kamite statues are missing their noses, whereas European-looking figures are intact. Faces of Africoid sculptures were also altered to appear Caucasoid by Kamit's European conquerors. A Sphinx statue on display in the British Museum actually admits that the "face of the stature was reworked" during the Roman occupation of Egypt. Reporting on the "riddle" of the racial identity of the ancient Egyptians, Count C. Volney, a distinguished French scholar who visited Egypt in the late 1700s, wrote with astonishment "...when I visited the Sphinx, its appearance gave me the key to the riddle. Beholding that head typically Negro in all its features..." He later added "...the Egyptians were true Negroes of the same type as all native-born Africans." The Sphinx's broad nose, full lips, and prognathism are evident in an early drawing of the Sphinx as it was found by the French in the late 1700s.
Tuesday, 5 May 2015
|HIS MAJESTY KING GOODWILL ZWELITHINI|
THIS IS WHAT KING ZWELITHINI SAID .
"It's painful to me when I look at this country that our forefathers and thousands of our people fought for, become a criminal den. There is nothing more painful to me. I don't sleep thinking about these things. Thats, what kind of people God has placed me amongst, who don't listen. I often ask myself if this is the freedom that King Cetshwayo and Mamonga, who was honoured when the ANC was formed in 1912? Is this the freedom? I'm talking about something that was written down. Don't think I talking politics. I'm not talking politics, no. I'm merely reciting history. I'm not politicising, but King Dinuzulu and King Cetshwayo were imprisoned for their fight for the freedom which the people received in 1994. But in 2015, we are talking about South Africans as people who don't want to listen, who don't want to work, who are thieves, who rape children, house breakers, lazy people who don't want to work the land. They are people when if other nations look at them will say let's go and eat the inheritance of the stupid people. As I'm talking to you now, there are all sorts of things hanging outside the stores. They brought untidiness to our streets, it's filthy. You can't even see what these stores were...foreigne??rs in these areas. I know sometimes it's difficult for politicians to speak out against these things because bad doers become voters after five years. Leaders, forgive me but in this situation, I must speak. As someone who doesn't have to wait five years...as Zulu King... a nation that is respected world-wide because of its role in the fight for the liberation of Africa, I won't keep quiet when people who have no say are playing with this country. The time is now for us to have a say. I would like to ask the South African government to help us. We must deal with our own lice. In our heads, let's take out the ants and leave them in the sun. We ask that immigrants must take their bags and go where they come from.