.
Carved from solid rock, the Sphinx portrays an Afrikan
Pharaoh. The nose is missing because Europeans (Napoleon's soldiers), in an
effort to obscure powerful, blatant, undeniable evidence of Black Afrikan
achievement, blew off the broad Africoid nose and part of the generous lips
with cannon fire! The Los Angeles Times (June 4, 1990) actually reported that
"When Napoleon visited the Sphinx in 1798, everything but the head was
buried in sand...his soldiers reputedly used the Sphinx for target
practice." While the Sphinx had already suffered nose damage prior to
Napoleon, the greatest destruction took place during Napoleon's occupation of
Egypt, as documented by Tony Browder, and testified by the collection of
Sphinx portraits he has assembled on page 225 of his book Nile Valley
Contributions to Civilization. These six portraits, drawn over a period of
100 years from 1698 to 1798, are the only current evidence available which
shows the progression of the nose destruction. Besides the Sphinx, a large
percentage of Africoid Kamite statues are missing their noses, whereas
European-looking figures are intact. Faces of Africoid sculptures were also
altered to appear Caucasoid by Kamit's European conquerors. A Sphinx statue
on display in the British Museum actually admits that the "face of the
stature was reworked" during the Roman occupation of Egypt. Reporting on
the "riddle" of the racial identity of the ancient Egyptians, Count
C. Volney, a distinguished French scholar who visited Egypt in the late
1700s, wrote with astonishment "...when I visited the Sphinx, its
appearance gave me the key to the riddle. Beholding that head typically Negro
in all its features..." He later added "...the Egyptians were true
Negroes of the same type as all native-born Africans." The Sphinx's
broad nose, full lips, and prognathism are evident in an early drawing of the
Sphinx as it was found by the French in the late 1700s.
Their
white plaster fell off centuries later,
exposing the blacked-out truth
Tired from the hard work of
defacing inumerable Afrikan monuments, whites covered them with plaster which
fell off centuries later...exposing the stone evidence. Solid stone endures,
but plaster and stucco are impermanent and will crack off in time to expose
what they have been hiding and, to the chagrin of the guilty, perfectly
preserving for future generations to witness. The Afrikans of the Nile Valley
had built their temples so well, even carving many out of solid rock, that it
was often impossible to destroy them. Whites hadn't developed the use of
dynamite yet, so they attempted destruction through manually chiseling away
at the stone evidence in their campaigns of cultural destruction. This work
proved not only ineffective, but too hard and exhausting, particularly under
the desert sun, so they resorted to other methods. On pages 165-166 of The
Historical Jesus, and the Mythical Christ, historian Gerald Massey reports
the coverups perpetrated by European cultural criminals:
"In some of the ancient Egyptian temples the Christian iconoclasts, when
tired with hacking and hewing at the symbolic figures incised in the chambers
of imagery, and defacing the most prominent features OF THE MONUMENTS, FOUND
THEY COULD NOT DIG OUT THE HIEROGLYPHICS, AND TOOK TO COVERING them over with
plaster; and this plaster, intended to hide the meaning and stop the mouth of
the stone word, has served to preserved the ancient writings as fresh in hue
and sharp in outline as when they were first cut and colored."
Similarly, he continues, the temples were invaded and taken over "by connivance
of Roman power." But these temples were enduring, "not built but
quarried out the solid rock." The Europeans covered the front of these
temples with white stucco and later reopened them as Christian churches.
"And all the time each nook and corner was darkly alive with the
presence and proofs of the earlier gods, even though the hieroglyphics
remained unread. But stucco is not for lasting wear ; it cracks and crumbles,
sloughs off, and slinks away into its natal insignificance; the rock is the sole
true foundation, the rock is the record in which we reach reality at
last."
The stone indeed was the truth,
and like the truth, it endured; but the plaster was a lie, and lies never
have permanence. All the lies and layers of lies
perpetrated and refined by successive generations of dishonest Europeans are
fated for the same destiny as the stucco plaster.
Page 24
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Their
white plaster fell off centuries later,
exposing the blacked-out truth
Tired from the hard work of
defacing inumerable Afrikan monuments, whites covered them with plaster
which fell off centuries later...exposing the stone evidence. Solid stone
endures, but plaster and stucco are impermanent and will crack off in time to
expose what they have been hiding and, to the chagrin of the guilty,
perfectly preserving for future generations to witness. The Afrikans of the
Nile Valley had built their temples so well, even carving many out of solid
rock, that it was often impossible to destroy them. Whites hadn't developed
the use of dynamite yet, so they attempted destruction through manually
chiseling away at the stone evidence in their campaigns of cultural
destruction. This work proved not only ineffective, but too hard and
exhausting, particularly under the desert sun, so they resorted to other
methods. On pages 165-166 of The Historical Jesus, and the Mythical Christ,
historian Gerald Massey reports the coverups perpetrated by European
cultural criminals:
"In some of the ancient Egyptian temples the Christian iconoclasts,
when tired with hacking and hewing at the symbolic figures incised in the
chambers of imagery, and defacing the most prominent features OF THE
MONUMENTS, FOUND THEY COULD NOT DIG OUT THE HIEROGLYPHICS, AND TOOK TO
COVERING them over with plaster; and this plaster, intended to hide the
meaning and stop the mouth of the stone word, has served to preserved the
ancient writings as fresh in hue and sharp in outline as when they were
first cut and colored."
Similarly, he continues, the temples were invaded and taken over "by connivance
of Roman power." But these temples were enduring, "not built but
quarried out the solid rock." The Europeans covered the front of these
temples with white stucco and later reopened them as Christian churches.
"And all the time each nook and corner was darkly alive with the
presence and proofs of the earlier gods, even though the hieroglyphics
remained unread. But stucco is not for lasting wear ; it cracks and
crumbles, sloughs off, and slinks away into its natal insignificance; the
rock is the sole true foundation, the rock is the record in which we reach
reality at last."
The stone indeed was the truth,
and like the truth, it endured; but the plaster was a lie, and lies never
have permanence. All the lies and layers of lies
perpetrated and refined by successive generations of dishonest Europeans
are fated for the same destiny as the stucco plaster.
|
The
willful, systematic destruction of Africoid
art has also occurred in the Americas, Asia and India
Inscriptions and hieroglyphics
are defaced or bleached, Africoid noses are shot off or chiseled down,
confusing nomenclatures are pasted over the evidence, photos are taken from
misleading angles or filters, and often, Africoid evidence is outright
destroyed. In temples and monuments of great beauty and durability where
destruction was less desirable than claiming the achievements as their own,
Europeans replaced the Afrikan inscriptions with new ones which credited
themselves for the achievement.
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Page 25
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"Hand in hand with the
enslavement of African people came the destruction of African civilization
and the loss of a culture, which the European would later say never
existed." 1
Dr. John Henrik Clarke states, "There has been a deliberate
destruction of African culture and the records relating to that culture.
This destruction started with the first invaders of Africa. It continued
through the period of slavery and the colonial system. It continues today
on a much higher and more dangerous level. There are now attempts on the
highest academic level to divide African history and culture within Africa
in such a manner that the best of it can be claimed for Europeans, or at
the very least, Asians. That is the main purpose of the Hamitic and the
Semitic hypothesis in relationship to African history.'" 2
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The
Rosetta Stone unlocked Kamit's ancient lost suppressed language
Europeans tried with all their
might to destroy the evidence of Black Egypt's legacy and its originating
role in world civilization and religion. They almost succeeded. They burned
major libraries of Afrikan archives, destroyed countless temples, killed
countless people. They turned Egypt the Land of Light, into the Land of
Darkness. Had it not been for the discovery of the Rosetta Stone in 1799,
Kamit's early history and astounding legacy would have remained buried in
the ruins of its demolished temples.
The Rosetta Stone was a slab of
black basalt stone was found by accident (nothing really happens "by accident") in
1799 by French troops digging trenches near Rosetta, Egypt. Carved on it
was an inscription duplicated in three languages: Egyptian sacred
hieroglyphics, demotic Egyptian characters, and Greek. By comparing the
Greek translation with the Egyptian, the French linguist, Jean Champollion
in 1822, discovered the vital clue to translating the Metu Neter (Writing
of the Gods), the mysterious sacred hieroglyphics of Kamit (ancient Egypt).
For the first time in modern
history, it became possible to decipher the mysterious, unknown, sacred
language of Egypt. "And so the lost history of old Egypt began to
unfold before the eyes of an astonished world...Until the discovery of the
Rosetta Stone, the history of the Land of Ham had remained buried in the
ruins of the Nile Valley produced there by the Roman Army...The fanatical
Romanists that buried that now famous Rosetta Stone never dreamed that the
day would come when it would rise up from its grave and become the Nemesis
of their beloved institution, which so greatly fears the purging effect of
the Light of Knowledge." 3
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